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1968 B&W Lita Coleman, Maria Lease, Marianne Prevost | The Wall of Flesh
Another titillating tale of angst and frustration from the king of psychosexual sinema, JOE SARNO! Aspiring anthropologist Lauri (busty LITA COLEMAN of Vibrations) sings the praises of Free Love in the primitive cultures she's visited during her travels to South America. However, her friend Vera (MARIA LEASE in one of her many New York nudie roles) pooh-poohs the idea, saying Free Love just isn't Normal. Come to find out, Vera's uptight and can barely even tolerate having sex with her own husband, Art (DAN MACHUEN). She's also constantly putting down the poor man for wanting to be a writer and not having a real job. All the while Laurie's sister, Nan (who, of course, is a recovering nymphomaniac), is totally hung up on Art and dreams nightly of seducing him. Read More
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1972 B&W Alisha Fontaine, Ken Chandler, Tallie Wright Cochrane | It's Francy's Friday:
Francy's "just a young girl running wiiiiilllllld... with no answers to her questionsssssssssss...." Gorgeous, pouty blonde Francy (ALISHA FONTAINE) reflects on how she came to be so slutty. As a child, Francy was witness to her parents' Friday night swinger parties, watching mom "do it" with family friend Jordan. But worst of all was that fateful Friday night when her father was "detained" and mom "entertained" his three poker buddies and accidentally became a cripple when she fell while riding around on one of the guy's shoulders. Mother was hospitalized, then released, and father drank until he died. Francy's only outlet is sex, so she begins running around with older boys... Read More
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1969 B&W Susan Wallack | Reflections
Something Weird has always prided itself on unearthing previously unknown oddities and we've done it again this time with Reflections, a never-before-released bizarro sexploitation art-film co-edited by none other than MARTIN SCORSESE. Yes,that Martin Scorsese. And here, long before he directed Taxi Driver and Goodfellas, Scorsese contributed his editing skills to what is either an art film with too much nudity or a sexploitation film with too much art. In fact, Reflections is so full of art-film pretentions that it's actually rather funny except that all attempts at humor are quite unintentional...Read More Digital Download $9.99 SWV DVD $10 |
1969 B&W Tony Brande, Anneliese Lindon, Maxine Green | All American Honeymoon
Seems the honeymoon is over before it can even begin for New York newlyweds Lou (TONY BRANDE) and Mary (Sarah Jessica Parker lookalike ANNELIESE LINDON)! The eager couple is planning to spend their post-nuptials at Lou's swinging brother Tony's pad, but anything and everything gets in the way of them actually consummating their marriage! First the fat landlady tries to get frisky with Lou when she opens the door for the bride and groom. Then Irving, the drunk neighbor, drops in unannounced. And weirdest of all, a sad sack of a pimp and two cheap hookers show up and proposition Lou, completely unaware that it's his wedding night! Oh, the noive!...Read More
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1975 Color Jane Russell, Jake La Motta, Rocky Graziano, Alan Dale | The Godfather and the Lady
The Godfather and the Ladyis yet another head-spinning Something Weird discovery: a previously unknown, previously unreleased gangster-film comedy starring none other than (then-faded) Hollywood screen goddess JANE RUSSELL (Gentlemen Prefer Blondes) - still looking very, very fine in 1975 - and a bunch of ex-boxing champs. Most prominent among them is the Raging Bull himself, JAKE LA MOTTA (Confessions of a Psycho Cat) as a dapper thug who wears a cute little hat. Aiding and abetting him are ROCKY GRAZIANO, WILLIE PEP, PADDY DeMARCO, TONY ZALE, and PETEY SCALZO.
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1960s and 1970s Color Michelle Angelo, Joy Lowe | Nudie Cuties Shorts, Loops & Peeps Volume 370 - Special Edition - Nudie Watusi a Go-Go!
ALL COLOR! ALL SWINGING SIXTIES! We hit the jackpot! These may have been the final Artist Models loop series produced by brown wrapper mail order film king JOE BONICA (Vanity Films)! - GIRLS IN BED posed by Sue and Sharon - Nudist Models
- COWGIRL WATUSI with Michelle Angelo
- BELLY DANCE WATUSI
- GIRLS IN BED posed by Sandra - Nudist Model
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1960's Color and B&W Gigi Darlene, Darlene Bennett, Sue Evans | Twisted Sex Volume 26
A Special Message from Walter Hale (book pitch * 1962 * color) - Mr. Hale has something to smile about. He wants you to buy a complete set of "the most exotic and beguiling photographs of the sexiest women in the world!" Better yet? You can also get an erotic book chock full of boudoir stories and dirty pictures. Yours for just a buck! It's the greatest bargain ever! The First Time (short * 1964 * color * directed by Barry Mahon) - A pretty blonde girl-next-door type answers an ad for an artist's model. The "famous" artist is auditioning models for a painting commission. He's already had a lovely auburn-haired lass with a creamy complexion (from head-to-toe), but asks the newbie to disrobe and pose for him. It's all in a day's work! Read More
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1950s - 1960s Color and B&W | Atomic Scare Films Volume 5
Are you prepared for an imminent nuclear or natural disaster? If not, watch these educational survival shorts and thumb your nose at The Bomb! Communications for Civil Defense (b&;w) - Bell Telephone presents a fictitious account of a feature film production made to encourage people to become Civil Defense volunteers. The film recreates the effects of an atomic blast on a community and the mayhem that ensues. We learn how the phone company does its part to help. Will communications hold up when the A-bomb gets dropped? You betcha! Planning for Public Shelter Entry (b&;w) - The Department of Civil Defense wants you to know how to manage your local community fallout shelter. A group of volunteers become acquainted with the layout of the shelter and the various duties they'll be responsible for: Read More
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1960s - 1970s Color and B&W Titus Moody | Classroom Scare Films Volume 11
It's booze vs. drugs in this hard-hitting edition of Classroom Scare Films!
Alcohol and Red Flares (color) - SID DAVIS, the King of Scare Films, shows the awful things that can happen when you drink and drive. Arrested for drunk driving, Mike attends special Alcohol Awareness classes where he watches an educational film (within an educational film!) showing how alcohol affects the brain and body. Funny visual symbols depict the various stages of intoxication - apparently, three drinks is all it takes for you to want to wear a lampshade on your head. But then the film takes a grim turn by showing gory automobile accident footage. Most who are maimed or killed are innocent people, not the drunk drivers! So Mike's been given a second chance and hopefully won't drive drunk again. Or will he? Read More
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1950s - 1960s Color and B&W Sid Davis, Milburn Stone | Health and Safety Vol. 16
Please! Don't fall apart, don't go nuts at work, and don't go completely insane until you first watch this 16th volume of our death-defying Health and Safety series. Oh, and don't run around construction sites in your bare feet either.
A Closed Book (1950; b&;w) is about how kindly ol' Dr. Atwill (MILBURN STONE in old-age makeup) goes bonkers after his wife is killed by a hit-and-run driver and becomes a safety fanatic. In addition to constantly lecturing people on safety and safety statistics, he also physically accosts people trying to cross the street against a red light or climb an unsafe ladder or, best of all, starting to strike a match without first closing the matchbook cover. Obviously, he quickly drives everyone crazy. Read More
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1950s - 1960s Color and B&W Donald Woods | Teenage Turmoil Volume 12
Word of Honor (1952, b&;w) - "Famous Dirt Track Racer" Duke Marshall (DONALD WOODS of 13 Ghosts) nearly gets run off the road by some speed-happy joy riders. He confronts the kids' uppity parents and tries to explain that real hot rodders only drive on a racetrack. The disgruntled teens go to a special meeting at a nearby track and are asked to sign a Word of Honor pledging that they will always drive safely. But cool kids Walt and Joyce defy their elders, speed off in his slick car, and promptly crash and die. Serves the little bastards right.
Kid Brother (b&;w) - Phil is not too keen that his big brother Jim is getting engaged to Janet. In fact he's taking it pretty hard. The family throws an engagement party for the lovebirds, but Phil doesn't want any part of it. He proceeds to sulk. Read More
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1940s - 1970s Color and B&W Hope Summers, Ray Collins, Don Beddoe | Lifestyles USA Vol. 46
Some people think things were easier in the "good ol' days." Well, think again. As this 46th volume of Lifestyles USA shows, there were rules for everything, from talking on the telephone to taking a vacation to being a secretary.
Family Life (1949; b&;w) explains how you too can have fun with your family. A scary idea, yes? But the Millers figure out exactly how to do it. After being miserable living with each other for years, Mother decides to run the family like a business! And that means making a schedule, dividing responsibility, assigning privileges, managing the money, and laughing at each other's lame jokes Don't know about you, but this would have caused my family to erupt into violence. Now, don't you wish you lived with the Millers? Read More |
1950s - 1960s Color and B&W Buster Crabbe, Olan Soule, Jack Albertson |
Lifestyles USA Vol. 47
Where would this country be without Mobil Oil, racing cars, middlemen, and business conferences? Well... uh... at the very least, we sure wouldn't have this 47th volume of
Lifestyles USA without them!,
All I Need is a Conference! (1954; b&;w) introduces us to cheerful Phil, one of the dullest men on the face of the earth, who is also a "conference leader." And cheerful Phil is only too happy to show us the importance of having conferences in Big Business despite everyone but him hating conferences. By way of illustration, Phil shows us how a conference dealt with a problem at his company. The heads of all the departments gather to argue and yell and blame one another until suddenly... the problem is solved! Hooray! Ain't conferences great! And, look! That's JACK ALBERTSON (Dead &; Buried) as one of the department heads. Nice to know ol' Jack hates conferences too! Read More
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1960s - 1970s Color and B&W |
Lifestyles USA Vol. 48
Smart Americans know that our
Lifestyles USA series answers important questions about life, business, and society. Like... how pencils are made. Well, don't you wanna know?
The Life of a Pencil (color) explains how those tiny pieces of soft lead get inside those hard sticks of wood. First, giant Cedar trees are cut down, sliced up, and shipped to the Eberhard Faber company in Pennsylvania. There, giant scary machines cook graphite, and something called an extruding machine takes over and... and... Good lord. This process is so idiotically complicated that I still have no idea how those tiny pieces of soft led get inside those hard sticks of wood. Maybe those smarter than me will be able to follow this film but, personally, I understand rocket science better than all this. Read More
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1950s - 1960s Color and B&W Ray Heatherton, Bill Cullen | Lifestyles USA Volume 49
When's the last time you had Sealtest ice cream with an ice-cold Pepsi Cola - not Coke, please - while dressed in your Boy Scout uniform? Well, you can do it all again with this 49th volume of our Americana series, Lifestyles USA
The Kitchen-A-Tor (1956; color) is what every modern housewife wants: the ultimate kitchen sink! The size of a small football field and complete with a built-in garbage disposal, The Kitchen-Ate-Her... pardon me, The Kitchen-A-Tor helps smart women clean food, wash dishes, store pots and pans, and dispose of garbage all at the same time "without moving out of a half 38-inch circle!" Best of all, hook The Kitchen-A-Tor up to your electricity and you'll also have a fully functional death ray! Read More
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1950s-1960s Color and B&W Dick Van Dyke, Lee Marvin | Lifestyles USA Volume 50
For this special 50th volume of our great Americana series Lifestyles USA, we pay tribute to the very backbone of this great country of ours - the engine that keeps capitalism cranking along. Yup, you guessed it: commercials!
The Progress of Discontent (1962; color) contrasts the voice of a dull narrator with a wild and often very funny assortment of early television commercials of all kinds. With the premise that "discontent" means wanting something new, we see how advertisers fuel that desire with commercials, promising products that will make all our lives better. A cigarette isn't just a smoke, but a ride on a roller coaster. A car isn't just a machine but a status symbol. Coffee isn't just flavor but "sociability." And what's the extra ingredient in Anderson pea soup? Why, it's time, of course. Along the way you'll catch glimpses of product spokespersons such as Bert and Harry (BOB GOULDING and RAY ELLIOTT) for Piels Beer, Read More SWV DVD $10 |
